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Monday, March 24, 2014

Aikido Practice in an Islamic country

http://www.nippon-kan.org/ahan/05_new_wind/new_wind.html

I never had much public feedback on an earlier post dealing with Islam, Women's Rights, and Aikido.  (Where have you gone Knowlton Nash).  I started keeping an eye out for articles on Aikido in predominantly Islamic countries.

This was an eye witness account from a student of Homma Sensei when she visited Morocco with him.  It sounds like some areas are being more progressive, but that the belief system and gender inequality is prevalent.  There are fewer women who train, and gender segregated classes are more common.  For those women who are training with men, I don't see mention if they only train with their husbands, fathers or brothers.  

Good on Homma Sensei for going.

Friday, March 14, 2014

What is actually (truthfully) going on?

A number of martial arts are making fantastical claims of Ki power, or whatever name they give it.  Throwing someone without touching them is one such claim, one of far too many.

As Aiki is partially about timing and psychology, some of these claims can be true.  Reflexes can be illicited, and a person can be led to a point that their balance is compromised.  People can be startled at a critically weak moment, and a reflexive movement causing instability can look like a throw.

Mental imagery is used to create changes in our bodies.  The example of the Unbendable Arm is that by imagining we are touching the wall behind us, antagonistic muscles are removed from the posture and collateral muscles become engaged.  This is the same as punching through a target, or swinging through a baseball.  The effect of the imagery is that we can move faster and have greater functional strength with less antagonistic tension.  So, seeing our bodies as exploding, or being flowers opening, or being much larger or smaller creates a change.  I cannot completely dismiss the imagery without losing the benefit, but I am not growing taller or wider, and my arms are not growing longer.  But, I do get benefit.

It's a matter of what is seen, and what is really happening.  

In Mythbusters, they have disproved things like a person being thrown backward by the force of a bullet.  This does not prove that a scared, adrenalin filled, fast moving human body cannot have a dramatic spastic reaction to the feel (or panicked anticipation) of a bullet tearing through; or that a muscle, bone, or nerve can receive damage manifested as movement.  Kinetic force on an immobile object can be measured, but any movement is likely not the result of the kinetic force of impact.

One Mythbusters episode I took exception to involved swords being "cut" by other swords.  To test the claim, they collected swords that were all well made, recently manufactured, well maintained, and never used in battlefield conditions.

Instead of badly used, damaged from prior use, made of inferior materials in inferior conditions by blacksmiths who did not know weapon smithing, rusted, bent, centuries old, etc.  

They made a device to hit two swords together, but not one using proper cutting technique.

They finally did get one sword to cause another to break, but it was still determined by high speed camera that the sword did not get "cut" but rather "broke" which was against the rules of their hypothesis.  All of the elements that went into forming this test are not guaranteed conditions, not the least of which was the high speed camera.  Without a high speed camera, one sword is intact and one is in pieces.

Marketing has always been a part of the martial arts I guess.  Ninja mythology I've come across includes things like an assassin blackens a temporary bridge and places it in a castle moat just under the surface of the water, and removes the bridge or cuts a cord to disassemble it or gives it a push to let it go downstream after his escape.  Or, there never was a bridge but rather a rope line.  He and his accomplishes announce he can walk on water.  People chasing him think he is superhuman, and get scared.  In the "good old days" the ninja might have even been hired to kill the target by the soldiers who "witness" the "superhuman escape." 

There are stories of masters claiming to fly, when they had a rope or the ability to climb down from a high wall.  There are stories of people working with an inside accomplice who claimed to see the escaping assassin sprout wings when they left in more pedestrian ways, or simply hid and never left until later.  The fear that was created was real in it's consequences in a superstitious time.  Of course, for every story of the hidden rope, there are dozens of legends of magical powers.

When an opponent is scared or fooled or distracted, we can achieve more against them because their focus is divided.  Fighting someone overwhelmed, fearful, distracted, and full of tension is much easier than fighting someone relaxed and focused.  

When an attacker knows our weaknesses, we are in danger.  When we are obsessed with our weaknesses and shortcomings, we put ourselves at a disadvantage.  Out of the Art of War (paraphrased, I don't have it in front of me.):

Know your enemy as yourself, and you will never lose.

Know yourself, but don't know your enemy, and you'll only win half the time.

Don't know either the enemy or yourself, you are always in jeopardy.

That means that deception is a critical component of strategy, whether it is hiding our strengths and weaknesses, or making our enemy doubt the truth of their strengths and weaknesses.  But, first and foremost, we need to know the truth of ourselves.

The greatest martial artists of every culture spoke about the critical importance of the truth.  We do not deceive ourselves, or let ourselves be deceived.  Musashi's first step to acquiring strategy - do not think dishonestly.  We are not swayed by marketing.  But letting our opponents get swayed, apparently that's just fine.

Addendum:  I had published this on June 20, 2014 before my wife brought my attention to the TED talk that day. What Eric Mead says about placebos really resonated with me.  Here's the talk, but I'm referring to research he is quoting at 1:07.


In brief, the placebo effect is real.  But, we can measure changes in placebos.  Use the same substance, but make it a smaller blue pill and stamp a name on it, and it has a measurable improvement.  Put the same inert substance in a needle and the effect is even greater.

Douglas Wiley's claim in Taiji Touchstones that if Chang Zhan Feng did not exist, he would need to be created.  No one would want to study an art created by sweaty men with black eyes beating each other up in a back alley.  Maybe it is true, that the more grandiose the vehicle, the better the acceptance and the effect.  Do martial arts and their lineages owe their marketing as well as the actual skill set being developed?  Are we more efficient martial artists because of manufactured faith in our style and teachers?

Gen X'ing O Sensei

Homma Shihan has proven himself a very prolific writer and artist.  I have never met him, but I have been impressed with his books.  His dedication to a healthy lifestyle and community service is a credit to him and his students.  From the Nippon-Kan website's column from 2/2/2014:


Homma Sensei points out that O Sensei was less of a saint and less of a genius than we are led to believe.  That the tricks were not what they looked to be.  He admits he would take part in demonstrations with O Sensei and faked them:  

I assisted the Founder during the demonstrations where the Founder demonstrated that he could not be pushed over by students pushing him with their hands to his forehead. I would stand in the position closest to the Founder with my hand on his head or his hip with other students pushing behind me. During those demonstrations I never pushed with force on the Founder and held back the exertion of the other students pushing behind me with all of my strength.

Homma Shihan was part of the lie that opened the door for generations of liars, and fakes.  Now we have an Art that is less than the myth.  

If a robber emptied a bank vault, we also criminally charge the person who deliberately left the vault open for the thief.  Homma Sensei is confessing he was part of the lie that opened the door for many charlatans.  I appreciate that he had respectful intentions, and he felt more loyalty to his teacher/patient than he did to the truth and future generations at the time.  History will benefit from Homma Shihan's honesty.  Other associations could benefit from his example, ie so many Shihan, all "direct live-in students of the Founder" during the time period that O Sensei was reportedly not living in Tokyo?

Homma Sensei is not alone in his deciding to set the record straight years later.  Stanley Pranin admits to having never met O Sensei, but he also gives a harsh interpretation of the history of O Sensei.  From the Aikido Journal newsletter, August 22/2013:

By the time aikido began to spread in the postwar era in Japan and abroad, the Founder was already an anachronism. He was elderly, selfish, cantankerous, spoke at times incomprehensibly, and moved in ways that only the most astute observer could follow. He was too much trouble to deal with, and he was consequently marginalized in the dojo he had built.

So what happened? Morihei’s words were edited and “prettified,” and made to sound like a sage. When rendered into English and other languages, what we have are “free” translations that are not identified as such. We are at least two levels removed from his original words. O-Sensei’s techniques that were poorly explained and too hard to learn were eschewed in favor of the approaches of the Founder’s son, Kisshomaru and Koichi Tohei, in particular. His weapon studies were judged to be amateurish and incomplete, and thus irrelevant to the art.

Where does that leave us?

It means that the Founder of aikido, perhaps the art’s finest exponent, and the man who conceived of the system of ethics that underpins the art, is not a major factor in discussions of aikido, be they of a technical or philosophical nature. O-Sensei’s influence is akin to a far off echo, weak and distorted. As a result, aikido has been impoverished.

To end on a positive note, if Morihei Ueshiba’s ideas were ever to be understood and widely discussed, the art’s potential as a martial art and a powerful social force would be greatly magnified.

O Sensei is said to have had liver cancer, and liver disease does interfere with a patient's mental state as enzyme levels become toxic.  His temper and confusion are understandable in that context.  The psychological stress of his life around the war was more than enough to elicit some PTSD as well.  His deterioration of skills and cognitive abilities would have made sense.  

It was the claim that O Sensei got stronger with age that was the miracle.  While still respecting the man, Homma Shihan and Pranin Sensei both seem to be implying that the reality is less than many Aikido people were lead to believe.  The marketing campaign around O Sensei doesn't sound like something O Sensei instigated.  Was the extent of the marketing necessary?  People still train in Modern Arnis while knowing that Professor Remy Presas died before his time of a brain tumour.  He still has loyal students and a surviving art.  Kano Jigoro died of pneumonia, and Judo has survived and continued to grow.  

I've even had low ranked Karate students tell me, "Gichen Funakoshi wasn't the best ever."  They don't even try to look like him these days. Students are inspired to think they might surpass him!  This forms the justification for bringing psychology, kinestheology, updated techniques and modern training methods into Shotokan Karate Dojos.  (How successful they are is another debate.)  


In contrast, Aikido created a legend, and now we notice even his direct students are so much less than the mythic standard.  At least O Sensei hasn't become Chang San Feng (yet) - the seven foot tall founder of Taijiquan who could throw arrows without using a bow with enough force to drive them through giant tree trunks.  Morihei Ueshiba is still held up as "a reincarnation of the Buddah," and "history's greatest martial artist." 

There is so much evidence (or "evidence") that one needs to wade through now.  I wish I knew what to think about Morihei Ueshiba, the man.  I still meditate in the dojo, and I still practice.  I look at the picture on the wall and I see an ideal to strive for.  I still talk to the Shomen during hard times.  I train because I like to, not for any other reason than that.  Maybe I see O Sensei as a better man than he ever was, and so what?  So what if I am striving for a real standard set by the Founder or an imaginary standard that never existed?  

The defining feature of Generation X is that we have no heros, and we destroy anyone who has the audacity to stand above and apart.  Everyone is human in some way, or has something about them that we can judge or lose respect for.  Presidents, Leaders, Royalty, the Rich, the Famous, the Super-Intelligent, the Gifted, the Holy - sooner or later, we prove to ourselves how pathetic and squalid you all are.  The hard part for the rest of us is moving forward anyway, allowing ourselves to believe in something and someone anyway.  I believe in something about this Art.

I remember Sensei looked poorly one seminar.  I was taking ukemi for him.  I never faked ukemi for him.  I continued to hold with full power, and I struck with full speed.  I couldn't touch him.  He was too fast, too powerful...and too pale.  He was admitted to hospital soon after.  When I realized how sick he was I didn't know how he could stand, let alone move so well and so effectively.  While he was embarrassed by his "weakness," I continued to be shocked.

He never asked us to fake it, and he never made any magical claims.  He demanded polite behavior, but not that we "drink the Kool-Aid."  He just trained.  He would let us test him, and he stood up to all our tests.  I couldn't touch a dying man decades older than me when I was in the best shape of my life.  That is what inspires me.  He was fully human, and that makes things I still cannot understand (let alone do) attainable.  Of course it was a difficult life.  Sensei never wanted veneration for himself.  He just loved his teacher and the martial arts.  I made different choices, and that is on me.

One of the most important lessons I learned from him was that masters are merely people who worked very hard.  We can all be masters ourselves, if we just pay the brutal and never-ending price.  That won't make us enlightened saints, or gurus, or well-rounded human beings, or people deserving of respect.  It won't mean we are automatically on the "right" side of history.  Just people who forged their bodies and minds with effort.  Hopefully, something worth passing on comes of it.


Saturday, March 1, 2014

Koga

http://www.sgvtribune.com/general-news/20130921/law-enforcement-community-mourns-famed-instructor-and-law-enforcement-pioneer-bob-koga

Robert Koga trained in a variety of martial arts including Aikido before developing the Koga System.  This man is someone that many Aikido students probably have not heard of.  As he was a trainer for the RCMP, I would hear his name when police officers would come to our practices.  The primary training facility of the RCMP was in Regina, the capital of my home province.  I only learned today that he died back in September 2013 at the age of 83.

I love some of the YouTube clips I've linked below.  Koga was a student of Koichi Tohei, and a student of Judo and wrestling in his youth.  He was one of the first Asian members of the LAPD, and he became a tactics trainer.  Eventually, he opened up his own Koga Institute for law enforcement training.  This man was a very proficient martial artist who was dedicated to keeping police officers effective and safe at their jobs. 

Law enforcement needs an art that advocates a graded response and a sizable arsenal of nonlethal techniques.  This means that techniques that are included in Aikikai for historical or spiritual reasons are not included.  Postures are updated to reflect different clothing, like boots instead of bare feet.  No training in techniques that don't allow for modern weaponry.  As a police officer himself, Koga was able to take Aikido movements and reinterpret them to work with law enforcement modernizations, like handcuffs, Billy club and teamwork.  Handgun retention and disarms that O Sensei taught, but that seemed to have disappeared from Aikido training post-war, remained prominent.  

For professionals, an expected level of proficiency needs to be achievable in a set period of time.  Fewer techniques to learn, each performed with a higher degree of accuracy.  Less creativity, less variation, more awareness, clearer principles, clearer training methods and goals.  A clear pass/fail standard for instructors and students.  

Koga was born and raised in the USA - his system does not use samurai dress or Shinto ritual.  Students aren't bowing or wearing dogi in these clips.  While many Westerners have become highly proficient in Aikido, Koga is arguably the earliest and most successful American Aikido innovator.

It is now common for a more mainstream Aikido dojo to be disparaging of someone who is interested in dominating a fight.  We can say, " Aikido is not about victory or defeat," but of course we expect the cops not to lose when we call them for help.  Success matters.  Training for years before we can actually respond effectively in a real situation?  This is fine for recreation, but absolutely not how we want law enforcement trained.  Koga's system is a very concrete interpretation of O Sensei's vision of protection for the world in it's best state.  Koga Sensei wanted officers to go home at the end of the day, and he wanted police officers to be capable of protecting the public without collapsing into brutality.  

I like how Koga Sensei talks about how to perceive self defense - the defense does not start with violence, but the situation is evaluated and effort is made to contain the situation from the beginning.  He asks that students be more than merely reactive, but instead very actively controlling.  Koga's system is about control, and for him, controlling a situation started with self control.  

I just got a kick out of the clips, and how really there is very little different from our core techniques.  Enjoy.  It's part of the heritage of our shared Art.